Peak takes a clever and thoroughly modern approach to how it handles sound files internally. Thus, you can use your Mac to graphically edit samples and then load them relatively quickly into stand‑alone samplers, which normally lack the high‑quality visual interface that a computer provides. Unlike recent versions of Digidesign's venerable Sound Designer II, it supports transfers of Macintosh sound files to and from MIDI samplers using SMDI - SCSI Musical Data Interchange, the fast SCSI‑based protocol supported by most modern sampler makers. Peak is a full‑featured audio editor for mono and stereo files on the Macintosh. ![]() If you missed the original review of Peak in the September 1996 issue of SOS, here's a summary of what the program is about. All along the way there have been some significant improvements, and together they are impressive enough that BIAS would be perfectly justified in calling the current version 2.0, but they are modest: this latest version is 1.6. Since its auspicious introduction, the company have issued a steady string of updates. We last reported on Berkley Integrated Audio Systems' (BIAS) Peak software almost exactly a year ago, when version 1.0 was released. It may say v1.6 on the box, but the latest version of BIAS's Mac‑based audio editor is stuffed with enough new features to warrant a version 2.0 tag.
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